Scalpers force Prince to postpone ticket sales

Prince on Friday abruptly postponed ticket sales for a highly anticipated European tour, outraged that scalpers were already advertising vastly inflated resale prices.

Scalpers force Prince to postpone ticket sales
Prince performing at Coachella in 2008. Photo: Scott Penner/Wikimedia

Prince, who in recent years has preferred to announce concerts at the last minute, become slightly more traditional by revealing through press interviews an upcoming tour in which he will play unaccompanied on piano for the first time since becoming famous.

The Minneapolis superstar called off sales moments before tickets were set to go online Friday in Austria and Britain.

Twitter account @Prince3EG, which the musician has used with his all female back-up band, Third Eye Girl, to promote last-minute shows, aired complaints from fans that resellers had already been advertising tickets in the thousands of dollars even though they were yet to go on sale.

@Prince3EG posted a photo of a vulture with the caption: “Multiple choice: A. Scavenger. B. Vulture. C. Tout. D. All of the above.”

The account retweeted users who sought a return of the last-minute “Hit and Run” shows, calling the approach better suited to true Prince fans.

“Maybe you should build a small hotel next to Paisley Park and sell reservations and tickets for a show!” said a retweeted comment by Cheryl Frey, who was referring to the singer's mythic studio on the outskirts of Minneapolis.

Prince did not immediately announce a new plan to sell tickets for his “Piano and a Microphone” tour, which is scheduled to start November 24 in Vienna and is expected to go to 11 countries, although not all dates have been announced.

Concert venues in recent years have stepped up checks to weed out resellers, notably by asking buyers to type security messages to ensure they are not robots buying in bulk.

Yet ticket vendors also increasingly link directly to resale sites, hoping to keep the business out of the hands of the black market.

Prince is known for challenging music industry conventions. In the 1990s, he changed his name to an unpronounceable symbol and wrote “slave” on his cheek to protest his label's control over his work and has since experimented with a series of more independent music ventures.

For his upcoming tour, Prince announced the concerts by inviting a handful of European journalists to Paisley Park for a private concert.

Prince — best known for his dexterity at guitar, his soaring falsetto voice and his elegant dance moves — said he wanted to get out of his comfort
zone through the nakedness of the piano.

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.


‘Mahleresque’: Austrian orchestra performs AI-written symphony

Can artificial intelligence turn out symphonies to match one of the greats of classical music?

'Mahleresque': Austrian orchestra performs AI-written symphony
Photo: DPA

That was the question posed by one unusual orchestra performance in the Austrian city of Linz on Friday, in which Gustav Mahler's unfinished Symphony No.10 was played — immediately followed by six minutes of “Mahleresque” music written by software. 

The project's creator says that the two are clearly distinguishable but not everyone in the audience agreed.

“I couldn't really feel the difference… I believe it was really well done,” Maria Jose Sanchez Varela, 34, a science and philosophy researcher from Mexico, told AFP.

The performance was part of Linz's Ars Electronica Festival, which aims to highlight connections between science, art and technology.

The brains behind the pioneering performance was AI researcher and composer Ali Nikrang, who works at the Ars Electronica Futurelab research centre affiliated with the festival. He used the open-source AI software MuseNet to write the music.

“It all sounds like music, there are emotions, but someone who really knows Mahler will notice immediately that it is not Mahler,” Nikrang told AFP, admitting Mahler's typical “harmonic expressions” were not quite there yet.

He said AI learned from “data from the past, from data left to us by Mahler” so it may be able to create an exact copy of Mahler, but it still could not come up with a “concept” or overall theme for the music the way the classical composer himself did.

But Nikrang says that AI has nevertheless made great strides. Working with the first 10 notes of Mahler's Symphony No. 10, the software gave him four suggested segments, out of which he chose one, following which it continued giving him four more segments and so on.

In all, Nikrang evaluated a few dozen pieces before choosing what spectators heard on Friday.

“All the suggestions were quite good… That is not obvious with AI, at least given the state of the technology five months ago” Nikrang said, adding that MuseNet had enabled a jump in quality. Christine Schoepf, the Ars Electronica festival's co-director, said that back when she took part in the very first edition 40 years ago, “of course we couldn't have guessed what would happen with AI”.

“The fact it would progress in such quick steps wasn't foreseeable,” she said. –

Lacking 'emotional depth'

Experts say the project highlights interesting questions.

“This is of course really exciting,” said Aljoscha Burchardt of the German Research Center for Artificial Intelligence (DFKI).

“One wonders whether the machines are so smart that they can accomplish great music, or whether the music wasn't such a great accomplishment after all?,” Burchardt asks.

“Maybe the pieces followed a graspable logic that in the past only very good composers knew, and now a machine can do it. That's the question,” he told AFP.

With computers churning out work at a speed composers cannot compete with, prices could drop, but on the other hand — just as in other fields where “hand-made” commands more prestige — artists who write their music without software could be able to charge a premium, Burchardt said. Machines also still needed humans to guide them, Austrian music expert Christian Scheib said.

“Even with highly-complex AI, it depends on the artistic quality and skills of the respective composer,” he told AFP. And of course, AI isn't yet able to explain its projects to journalists either.

As Nikrang predicted, some spectators noticed when AI took over the composition in Friday night's performance.

One of them, Manuela Klaut, said: “I somehow thought suddenly: 'Ah, it is getting a bit more arbitrary' or something like that'.” But she admitted that it was hard to pinpoint what exactly changed, and the overall performance was still “great”.

“I felt slightly that the emotional depth that you have in a Mahler composition was missing, maybe also the melancholy,” the 39-year-old from Germany told AFP.